
The first thing Alysa Liu did after winning gold was to embrace Japan’s bronze medalist Ami Nakai after the scores came in. It wasn’t just a show of camaraderie. It was a statement: today’s figure skating belongs to a generation rewriting the rules—and doing it on their own terms.

For decades, women’s figure skating has been framed by rivalry, pressure and narrow expectations — from the tabloid saga of Tonya Harding and Nancy Kerrigan to the devastating Olympic unraveling of Kamila Valieva. The sport often rewarded compliance as young girls were molded early, pushed hard, and expected to fit a certain aesthetic: dainty, delicate, waif-like, compliant, and quiet. Liu has broken that mold at nearly every turn.
Liu burst onto the scene at only 13—fearless, technically gifted, and immediately labeled the future of American skating. Adults projected Olympic gold onto her shoulders before she was old enough to drive. But at 16, she walked away from it all. Burned out and disillusioned, Liu retired from competitive skating at an age when most athletes are just beginning their senior careers. In a sport where teenagers are often treated like replaceable parts in a medal machine, her decision felt radical.

It was also powerful—she chose herself over other people’s expectations of her. When she returned, it was on her own terms—with coaches willing to work within her boundaries, not override them. She chose what she wanted to skate to. She chose how she wanted to look. She chose how she wanted to live. That autonomy is not a small thing in figure skating.
For years, elite women skaters were quietly pressured to maintain extreme thinness, tightly controlled appearances, and carefully packaged personas. The “ideal” champion often looked interchangeable: hair slicked back, costume sparkling but conventional, artistry confined within safe, classical boundaries. Tonya Harding did not conform to that standard, but dealt with the pressure to conform and fit in with aggression and emotional outbursts. Harding’s perceived preferential treatment of Nancy Kerrigan infamously culminated in the attack on Kerrigan by Harding’s then husband. However, Harding was never proven to be aware of that plan.
Liu dealt with the pressures by walking away and when she returned, she did so on her own terms. She presents herself as she wants to be seen, not as tradition dictates. She has spoken openly about mental health and balance. She is not performing fragility or conforming to norms set by the ice skating world. She skates to music she chooses, she designs her outfits, and wears her hair however she damn-well chooses. The result? She skates with visible joy and a carefree smile rather than icy perfection and a pinned-on grin. And yet—or perhaps because of that—she stands on top of the Olympic podium.

Her victory sends a clear message to younger skaters: you do not have to shrink yourself, silence yourself, or surrender control of your body to succeed.
The embrace with Japan’s bronze medalist was only one example of that philosophy in motion. As the scores flashed, the Japanese teenager Ami Nakai sat in the kiss-and-cry mathing the math, holding up three fingers to Alysa Liu to confirm her realization before clasping her hands over her mouth in disbelief. Olympic bronze. The first person to jump into the kiss-and-cry to celebrate with her? Alysia Liu. She did not hesitate but ran straight over to her, lifting the 17-year-old Japanese competitor up and drying her tears of joy. It was a moment so pure, so joyful, and unscripted. It was a quiet revolution. In a sport once defined by frosty stares and national tension, the first person to hug the bronze medalist was the American champion and rival. But there was no rivalry, no guarded distance, or polite pat on the back. There was joyful celebration and appreciation of the other skater’s performance and achievement.
It perfectly reflected the Olympic ideals of unity and harmony that these Games have emphasized—but more importantly, it reflected a generational change in skating culture. After years marked by scandal, extreme coaching systems and public breakdowns, women’s figure skating needed a reset. Liu represents that reset.
Her comeback story is not about redemption through suffering. It is about empowerment. It is about walking away from a system that felt wrong and returning only when it aligned with who she wanted to be.
This generation of skaters is doing something previous ones often couldn’t: setting boundaries. Speaking up. Supporting one another openly. Rejecting outdated beauty standards and the quiet normalization of unhealthy practices. They are proving that empathy and ambition can coexist. That artistry can be expressive rather than restrained. And that breaking the norms can result in triumph. It is a welcome 180 from the last Olympics when a heartbroken Alexandra Trusova had daggers for eyes when her teammate claimed the gold, despite Trusova landing four and five quad jumps. Teammate Shcherbakova, meanwhile, said she felt nothing after winning Olympic gold at the 2022 Winter Games in Beijing.
Alysa Liu’s gold medal matters, but the cultural shift she embodies may matter more. Liu is the embodiment of a new generation leading figure skating forward.

What era is that, the era of bad hair styles?